Irapuato 09/05/2012 08:42:14
redazionecittaurbino Apr.6-July 8, Urbino: "The Ideal City"
Urbino 5 aprile Palazzo Ducale Salone del Trono la Città Ideale
Apr 5, 2012 by redazionecittaurbino The Franciscan friar and mathematician Luca Pacioli dedicated his “Summa de arithmetica, geometrica, proportioni et proportionalita” to Federico’s successor Guidobaldo da Montefeltro. The eloquent portrait of him here by Jacopo de’ Barbari, on loan from the Capodimonte Museum in Naples, depicts him demonstrating a Euclidian geometrical figure, a copy of his “Summa” opened at the relevant page on the table in front of him, his left finger marking the appropriate place in the book. Suspended in midair to the friar’s right is a crystalline polyhedron, with 18 sides composed of 18 equilateral triangles, in three of which can be discerned miniscule reflections of a building resembling Urbino’s Ducal Palace. This transparent polyhedron at the same time offers a kind of mystical mathematical equivalent of the religiously symbolic white egg that appears suspended in the vault above the Virgin in Piero della Francesca’s “Sacred Conversation,” now at the Brera in Milan, commissioned by Federico and in which he appears kneeling in full armor before Mary. http://www.nytimes.com/2012/05/09/arts/09iht-conway09.html?pagewanted=2Urbino: "The Ideal City", Apr 6-Jul 8
Apr 5, 2012 by redazionecittaurbino The Franciscan friar and mathematician Luca Pacioli dedicated his “Summa de arithmetica, geometrica, proportioni et proportionalita” to Federico’s successor Guidobaldo da Montefeltro. The eloquent portrait of him here by Jacopo de’ Barbari, on loan from the Capodimonte Museum in Naples, depicts him demonstrating a Euclidian geometrical figure, a copy of his “Summa” opened at the relevant page on the table in front of him, his left finger marking the appropriate place in the book. Suspended in midair to the friar’s right is a crystalline polyhedron, with 18 sides composed of 18 equilateral triangles, in three of which can be discerned miniscule reflections of a building resembling Urbino’s Ducal Palace. This transparent polyhedron at the same time offers a kind of mystical mathematical equivalent of the religiously symbolic white egg that appears suspended in the vault above the Virgin in Piero della Francesca’s “Sacred Conversation,” now at the Brera in Milan, commissioned by Federico and in which he appears kneeling in full armor before Mary. http://www.nytimes.com/2012/05/09/arts/09iht-conway09.html?pagewanted=2Urbino: "La Città Ideale"
redazioncittaurbino "La Città Ideale"
