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Umbrian city of Narnia & C.S. Lewis' Chronicles. p0p0Lan0 on Jan 18, 2011 Voyager tells the mysterious similarities between the Umbrian city of Narni, whose ancient name was Narnia, CS Lewis and how …More
Umbrian city of Narnia & C.S. Lewis' Chronicles.
p0p0Lan0 on Jan 18, 2011 Voyager tells the mysterious similarities between the Umbrian city of Narni, whose ancient name was Narnia, CS Lewis and how he used it for his Chronicles of Narnia. Places, names and symbols between the novel and the history of the Umbrian city.
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Umbrian city of Narnia & C.S. Lewis' Chronicles
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Narnia in Italia
Irapuato
www.narnia.it/index.htm Lots of information in several languages, here...
Irapuato
La Ciudad de Narni,
Umbria

www.narnia.it/pronarni_es.htm
Información de Narni
Narni, provincia de Terni, en la región de Umbría. Construidaen una colina 240 metros sobre el nivel del mar, con 20,570 habitantes, es elpunto medio geográfico de Italia.
La ciudad tiene espectaculares vistas del valle del Rio Nera, y ofrece itinerariosarqueológicos y artísticos, además una abundante historianatural …More
La Ciudad de Narni,
Umbria

www.narnia.it/pronarni_es.htm

Información de Narni

Narni, provincia de Terni, en la región de Umbría. Construidaen una colina 240 metros sobre el nivel del mar, con 20,570 habitantes, es elpunto medio geográfico de Italia.
La ciudad tiene espectaculares vistas del valle del Rio Nera, y ofrece itinerariosarqueológicos y artísticos, además una abundante historianatural para el turista.
INFORMACIÓN HISTÓRICA: El primer documento histórico,mencionado en el pueblo, proviene del 600bc. Cuando el pueblo se llamaba Nequinum,en el 299 AC.
Narni era una colonia romana bajo el nombre de Narnia en el año 233AC, con la construcción de la "Via Flaminia". Narni se volviómas importante en el 90 AC, cuando se convirtió en municipalidad.
El primer obispo cristiano de Narni, Giovenale de Cartago, fue elegido en el386 DC, y después fue consagrado como santo patrono de la ciudad. Enel siglo 11 se estableció el poder como "Comuna libre" (Ciudadautónoma).
Entre el siglo 12 y el 14, se alcanzó el mas grande período deesplendor y se construyó una escuela de pintura y orfebres. Muchos artistasdel renacimiento produjeron trabajos para clientes y patronos en Narni: Rossellino,Ghirlandaio, Gozzoli, Vecchietta, Antoniazzo Romano y Spagna.
En el 1527, el Lanzichenecchi destruyó Narni casi completamente. Lentamentelas paredes, construcciones, e iglesias fueron reconstruidas y para final desiglo, Narni se había restablecido. Mucha gente famosa ha nacido en Narni,incluyendo el emperador Cocceio Nerva, Gattamelata, la Beata Lucía, BerardoEroli, Galeotto Marzio y S. Casio.

UNA VISITA A LA CIUDAD: LAS IGLESIAS:
La catedral (dedicada a San Gionevale, primer obispo y patrono de la ciudad).Construcción estilo romana (siglos 11 y 12), fue consagrada en 1145 yagrandada en el siglo 14. el porche y el arco datan de antes de 1497. Debajode el, usted puede ver el impresionante portal principal (Portale Maggiore)construido en el siglo 12. Dentro, la iglesia esta formada según la cruzlatina, dividida en tres naves. La cuarta nave fue agregada al plan principalen el 1400. En la mano derecha de la entrada, se puede ver la tumba de San Giovenaley San Casio (Sepolcro di SS Gionevale e Casio). La tumba es una de los mas antiguosmonumentos cristianos en Umbría, con un sarcófago, el cual guardael cuerpo de San Giovenale, el cual data de antes del siglo 7, anteriormentea el hay un mosaico del siglo 9. Notable son también las muchas pinturasy trabajos de Vechietta, Rosselino y artistas locales.
IGLESIA DE SAN FRANCESCO: (Siglo 13), agrandada en el siglo 14. Fue construidaen el sitio en el que el santo vivió durante su estadía en Narni.Una de las paredes son importantes frescos de la escuela local Mezzatris y Toressani.
IGLESIA DE SANTA MARIA IMPENSOLE, Construcción romana (1175), debajodel porche, hay tres portales importantes; el central es de particular interés.El interior está dividida en tres naves, se puede admirar las capitalesde las columnas de la nave central. En la cripta están los restos deuna construcción y una fuente del período romano, y algunas tumbas.
SAN DOMENICO (anteriormente Santa Maria Maggiore) construida en el siglo 12,hoy en día es un área de exhibición y aloja a la Bibliotecay loa Archivos Históricos. Se puede, además, ver el gran campanarioy las dos entradas de la bella fachada. El interior tiene tres naves divididaspor malecones con arcos redondos. Se puede ver un piso Cosmaatesque, la capillade Gattamelata, un soldado mercenario de Narni del período medieval,un sepulcro dedicado a Gabriele Massei y un tabernáculo de mármoltallado.
En la primer nave se puede ver un fresco representando a la Madonna entre SanDomenico y San Tomasso y otras pinturas de Federico Zuccari (1570). A travésdel jardín de S. Bernardo se tiene acceso a la capilla antigua de SanDomenico la cual es completamente subterránea (Sotteranei di San Domenico).Dentor de estas habitaciones se encuentra una notable capilla pequeña,también fue una prisión durante la inquisición.
IGLESIA DE S. AGOSTINO (Siglo 14) Todavía preserva una rica colecciónde arte, entre los trabajos hay un hermoso techo de madera de F. Bennicasa,un fresco de Piermatteo d'Amelia y además trabajos de Torresani y A.Romano.
LOS PALACIOS en la Piazza dei Priori se puede ver el Palazzo dei Priori (Palaciodel Priori). En la derecha del portal hay un pulpito de piedra desde donde seleían las proclamaciones, sobre el púlpito hay un alto campanario.Dos arcos abren en un largo porche y en la mitad de el, un malecón depiedra sostiene la bóveda-cruz. El Palacio se construyó en el1275 y se le atribuye a Gattapone da Gubbio. En el otro lado de la piazza sepuede ver el Palazzo Comunale (Palacio comunal) creada por la unión delas tres torres en 1273. En la fachada se pueden ver partes de antiguas inscripciones.En el lado derecho hay un portal del siglo 15 y anteriormente una fila de 7columnas y bajorrelieves. En el hall de entrada se encuentra una tumba Romanay una fuente del 1400, además de una serie de antiguas dimensiones yuna colección lapidaria. En el hall conciliar se puede admirar la Coronaciónde la Virgen (Incoronazione della Vergine) de Ghirlandaio (1486), los Estigmasde San Francisco (San Francesco Stimatizzato) de Spagna y La anunciación(l'Annunciazione) de B.Gozzoli.Además se conserva una interesante momiaegipcia. Palacio Scotti, construido en el 1500 decorado con frescos de Zuccari(1581). Palacio Cardoli (Siglo 15), Palacio Capocaccia (1545), la casa natalde Gattamelata.
LAS TORRES: En la ciudad quedan muchas torres, siendo los lugares típicosdonde habitaban en la edad media. Las mas importantes son: La Torre de Marzidonde nació Galeotto Marzio, un humanista del siglo 15, la torre delPalazzo dei Priori (siglo 13), la torre cívica y muchas otras
LAS PUERTAS: que atravesaban las murallas de la ciudad. PORTA DELLA FIERA (oPorta Nuova) atribuida a Vignola, la Porta Polella, otra puerta de la ciudadque data del siglo 13, Porta Ternana (o Porta Delle Arvolte) querida por elPapa Sisto V, Porta Romana (1545) y Porta Pietra (siglo 13).

Caminando a travésde calles angostas de la parte superior del pueblo, se puede llegar al castillo(Rocca Albornoz) construida alrededor del 1370, atribuida a Ugolino di montemarte,por orden del cardenal Egidio Albornoz. La Rocca era un fuerte muy importantepor su ubicación estratégica: Podía controlar cualquierinvasión contra el Estado Papal. Se puede admirar las magníficasparedes y torres y disfrutar de la vista de las montañas Apennine. Sedice que C. S. Lewis basó al castillo Cair Paravel de las Cronicas deNarnia en este castillo.

Excursiones PONTE D'AUGUSTO: El famoso puente de Augusto fue construido el27 AC, tenía 160 metros de largo. El antigua camino conciliar Via Flaminia,el principal hacia Carsulae (San Gemini) pasaba sobre él. El arco quequedó tiene 30 metros de alto. LO SPECO DI SAN FRANCESCO: Una ermitafranciscana fundada en el 1213 por el santo mismo, a 18 Km. de Narni. Se siguepreservando la atmósfera franciscana y sus líneas puras en suarquitectura permanecen. Fue terminada en el 1400, aun siguiendo el estilo franciscano.Los frescos datan de los siglo 14 y 15. Se puede llegar al santuario por elcamino que lleva a Sant'Urbano.
Mitad de Italia - PONTE CARDONA - Acueducto romano. El medio geográficode Italia esta situado cerca de Ponte Cardona, un puente romano que era partede un acueducto construido durante el siglo 1 por M. C. Nerva. Porque es unabella ubicación dentro del bosque, este sitio brinda la posibilidad deuna bella caminata.
ABBAZIA DI SAN CASSIANO: (Siglo 12), la abadía es una importante estructuraarquitectónica, en una maravillosa posición entre los bosquesopuestos a la ciudad.
ABAZIA DI S.ANGELO IN MASSA (Siglo 11). La abadía fue construida en lasruinas de una villa romana del siglo 2. Se preservan las pinturas de MichelangeloBraidi, un tardío manierista de Narni. IGLESIA DE S.PUDENZIANA: (Siglo11) a 10 Km de Narni en el área de Visciano, cerca de Borgaria, notablees el pequeño porche, el campanario, y el exterior del ábside.El interior está dividido en tres naves. EL piso muestra interesanterestos arqueológicos. En el ábside hay un asiento abacial de piedra.Sobre el rústico altar hay un tabernáculo el cual se sostienepor cuatro columnas. Los frescos datan de los siglos 13 y 14, tambiénhay una elegante cripta.
IGLESIA DE S.MICHELE ARCANGELO: Una iglesia del siglo 12, agrandada en el siglo14, de estilo romano con notables frescos en el interior a 10 Km. de Narni

mas en:

Narnia e Narni

ideazione e progettazione Giuseppe Fortunati
© Narnia site is maintained by fans and is in no way connected to Walden Media,
Walt Disney Pictures, or the C.S. Lewis Estate.
All copyrights are held by their respective owners.
The Narnia italian logo and page design are copyright © 2003-2008.
9 more comments from Irapuato
Irapuato
A site dedicated to her in English: www.narnia.it/lucia_eu.htm
Irapuato
Irapuato
She also was possibly a source of inspiration for Chronicles of Narnia by C.S. Lewis, as Lucy, a girl that believes and can see many things that other people cannot see. Walter Hooper, a biographer of Lewis, has referred to the possible connection.
en.wikipedia.org/wiki/Lucia_Brocadelli_of_NarniMore
She also was possibly a source of inspiration for Chronicles of Narnia by C.S. Lewis, as Lucy, a girl that believes and can see many things that other people cannot see. Walter Hooper, a biographer of Lewis, has referred to the possible connection.

en.wikipedia.org/wiki/Lucia_Brocadelli_of_Narni
Irapuato
Lucia Brocadelli of Narni
From Wikipedia, the free encyclopedia
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Lucia Brocadelli
Lucia of Narni depicted in her chapel in il Duomo
Virgin and Mystic
Born
13 December 1476
Narni, Umbria, Italy
Died
15 November 1544
Saint Catherine of Siena convent in Ferrara, Italy
Honored in
Roman Catholic Church
Beatified
1 March 1710 (cultus confirmed) by Pope Clement XI
Feast
16…More
Lucia Brocadelli of Narni
From Wikipedia, the free encyclopedia

Jump to: navigation,search
Lucia Brocadelli

Lucia of Narni depicted in her chapel in il Duomo
Virgin and Mystic
Born
13 December 1476
Narni, Umbria, Italy
Died
15 November 1544
Saint Catherine of Siena convent in Ferrara, Italy
Honored in
Roman Catholic Church
Beatified
1 March 1710 (cultus confirmed) by Pope Clement XI
Feast
16 November (since 1962)
Bl. Lucia Brocadelli of Narni (1476–1544) was an Italian Roman Catholic mystic, beatified in 1710.
en.wikipedia.org/wiki/Lucia_Brocadelli_of_Narni
Contents

1 Life
1.1 An incipient vocation
1.2 A white marriage
1.3 Recipient of the stigmata
1.4 A troubled new convent
2 Death, veneration and beatification
3 References in popular culture
4 Notes
5 References
Life
An incipient vocation
Lucia was the eldest of eleven children of Bartolomeo Broccadelli and Gentilina Cassio. When she was only five years old, she had a vision of the Virgin Mary. Two years later, she had another vision, this time of the Virgin Mary accompanied by Saint Dominic. Dominic is said to have given her the scapular at this time. When she was twelve years old, Lucy made a private vow of chastity, and determined to become a Dominican nun.
Circumstances, however, changed to make doing so difficult. Next year her father died, leaving her in the care of an uncle. This uncle determined that the best course of action he could take would be to get Lucy married as quickly as possible.
He made several attempts to do so. One of these included holding a large family party. He had invited the man he had chosen as Lucia's husband to the party, with the intention of having the couple publicly betrothed. He however had not informed Lucia of his intentions. The suitor made an attempt to put a ring on Lucia's finger, only to be slapped repeatedly for his efforts by Lucia.
A later attempt involved Count Pietro de Alessio of Milan, an acquaintance of the family. Lucia was actually quite fond of him, but felt her earlier vow to become a nun made the possibility of marriage impossible. The strain Lucia felt as a result of the conflicting feelings made her seriously ill. During this time, the Virgin Mary and Saint Dominic again appeared to her, this time accompanied by Catherine of Siena. They reportedly advised Lucia to contract a legal marriage to Pietro, but to explain that her vow of virginity would have to be respected and not violated. Pietro agreed to the terms, and the marriage was formalized.
A white marriage
In 1491 Lucia became Pietro's legal wife and the mistress of his household, which included a number of servants and a busy social calendar. Despite her busy schedule, Lucia made great efforts to instruct the servants in Christianity and soon became well known locally for her charity to the poor.
Pietro observed Lucia's behavior, and occasional quirks, quite indulgently. He never objected when she gave away clothing and food. Nor when she performed austere penances, which included regularly wearing a hair shirt under her garments and spending most of the night in prayer and acting to help the poor. He also seemed to have taken in stride the story he was told by the servants that Lucia was often visited in the evenings by Saint Catherine, Saint Agnes, and Saint Agnes of Montepulciano who helped her make bread for the poor.
However, when one of the servants came up to him one day and told him that Lucia was privately entertaining a handsome young man she appeared to be quite familiar with, he did react. He took up his sword and went to see who this person was. When he arrived, he found Lucia contemplating a large crucifix. The servant told him that the man he had seen Lucia with looked like the figure on the crucifix.
Later Lucia left one night for a local Franciscan monastic community, only to find it closed. She returned home the following day, stating that she had been led back by two saints. That was enough for Pietro. He had her locked away for the bulk of one Lenten season. She was only visited by servants who brought her food. When Easter arrived, however, she managed to escape from Pietro back to her mother's house and on 1494 May 8 became a Dominican tertiary. Pietro expressed his disapproval of this in a rather dramatic form, by burning down the monastery of the prior who had given her the habit.[1]
Recipient of the stigmata
In 1495 Lucia went to Rome and joined a group of Third order Dominican tertiaries. Next year she was sent to Viterbo and here she found she was frequently the object of unwanted attention. It was here, on February 25, 1496 that she is reported to have received the stigmata.[1] Lucia did her best to hide these marks, and was frequently in spiritual ecstasy. The house had a steady stream of visitors who came to speak to Lucia, and, often, just look at her. Even the other nuns were concerned about her, and at one point called in the local bishop who watched Lucia go through the drama of the Passion for twelve hours straight.
The bishop would not make a decision on Lucia, and called in the local inquisition. Reports here vary, some indicating that he referred the case directly to the Pope, who is said to have spoken with her and, with the assistance of Columba of Rieti, ultimately decided in her favor, telling her to go home and pray for him. Other sources question the accuracy of these reports.
At that time Pietro also came to her, making a final plea to persuade Lucia to return with him as his wife. She declined, and Pietro left alone. He would himself later become a Franciscan monk and a famous preacher.
When Lucy returned to the convent in Viterbo, she found that the Duke of Ferrara, Ercole d'Este I, had determined to build a convent in Ferrara and that, having heard of her, he determined that she would be its prioress. In summer of 1497 he invited her to be the founder of this new monastery. Lucia herself, the Dominican order, and the Pope all agreed quickly to the new proposal. The municipal council of Viterbo, however, objected, not wanting to lose Lucy. Lucia had been already been praying for some time for a way to create a new convent of strict observance, and agreed to go to the new convent.

Ercole d'Este I, responsible for bringing Lucia to Ferrara.
A troubled new convent
Lucia's departure precipitated a conflict between Ferrara and Viterbo which would continue for two years. Viterbo wanted to keep the famous mystic for themselves, and the duke wanted her in Ferrara. After extensive correspondence between the parties, on April 15, 1499 Lucia escaped secretly from Viterbo and was officially received in Ferrara on May 7, 1499. Thirteen young girls immediately applied for admission to her new community; the construction of the monastery began in June and was completed two years later, in August 1501. It contained 140 cells for sisters and the novices, but to fill it with suitable vocations proved to be very difficult. Lucia expressed the wish to have there some of her former friends from Viterbo and Narni. Duke Ercole, in September 1501 sent his messenger to Rome asking for the help of the pope's daughter Lucrezia Borgia who was preparing to marry Duke's son Alfonso. She collected all eleven candidates Lucia had indicated and sent them, as a special wedding present to Lucia and to the Duke, a couple days ahead of her bridal party. She herself solemnly entered Ferrara on February 2, 1502.[2]
The Duke petitioned the local bishop for some help for Lucia in governing her new community, and he sent ten nuns from another community to join Lucia's convent. Unfortunately, these ten nuns were members of the Dominican second order,[a] who were canonically permitted to wear black veils, something Lucia and the members of the Dominican third order community were not allowed to do.
Tensions were heightened when one of these veiled outsiders, Sister Maria da Parma, was made the prioress of the convent on September 2, 1503. When Duke Ercole died on January 24, 1505 the new prioress quickly found Lucia to be guilty of some unrecorded transgression, most probably of the support for the Savonarolan church reform,[3] and placed her on a strict penance. Lucia was not allowed to speak to any person but her confessor, who was chosen by the prioress. The local provincial of the Dominican order would also not permit any member of the order to see Lucia. There are records that at least one Dominican, Catherine of Racconigi, did visit her, evidently by bilocation, and that Lucia's earlier visitation by departed saints continued. In response to Lucia's insistent prayer her stigmata eventually disappeared, which caused some of the other nuns to question whether they had ever been there at all. When Lucia finally died, in 1544, many people were surprised to find that she had not died years earlier.
Death, veneration and beatification
Now suddenly everything changed. When her body was laid out for burial so many people wanted to pay their last respects that her funeral had to be delayed by three days. Her tomb in the monastery church was opened four years later and her perfectly preserved body was transferred to a glass case. When Napoleon in 1797 suppressed her monastery the body was transferred to the Cathedral of Ferrara; and on 1935 May 26 - to the Cathedral of Narni.
Lucia was beatified by Pope Clement XI on March 1, 1710.

Ritratto della beata Lucia a Narni
References in popular culture
Sister Lucia has an important part in Prince of Foxes by Samuel Shellabarger. a historical novel which dramatizes her escape from Viterbo and which some consider Shellabarger's best.
She also was possibly a source of inspiration for Chronicles of Narnia by C.S. Lewis, as Lucy, a girl that believes and can see many things that other people cannot see. Walter Hooper, a biographer of Lewis, has referred to the possible connection.
Notes
^ The "Second Order" of a religious community, as set out originally by Francis of Assisi, were nuns, as opposed to friars (the "First Order") and laity, the "Third Order".
References

Wikimedia Commons has media related to: Lucia Brocadelli da Narni
^ a b Fullerton, Lady Georgiana, Blessed Lucy of Narni, www.narnia.it/lucia1_eu.htm, retrieved 2008-01-31
^ Gardner, Edmund (1968). Dukes and Poets in Ferrara: A Study in the Poetry, Religion and Politics of the Fifteenth and Sixteenth Centuries, pp.380-423.
^ Herzig, Tamar (2008). Savonarola's Women: Visions and Reform in Renaissance Italy, pp.127ff.
Blessed Lucy of Narni, www.narnia.it/lucia_eu.htm, retrieved 2007-04-15
Cotini, Gino, L'amore vince sempre
A Bibliography of Lucia Brocadelli of Narni, www.narnia.it/luciabiografia.htm, retrieved 2008-01-31
Lucia Brocadelli, Lucrezia Borgia and Ercole I d'Este: A Tentative Chronology, www.narnia.it/luciachronology.htm, retrieved 2008-02-14
Kalanna (2005-08-05), Blessed Luci of Narni, merecatholics.blogspot.com/…/blessed-luci-of…, retrieved 2007-04-15
Rabenstein, Katherine (March 1999), "Blessed Lucy Brocolelli of Narni, OP V (AC)", Saints Of the Day for November 15, www.saintpatrickdc.org/ss/1115.shtml, retrieved 2007-04-15
Jones, Terry, "Lucy of Narni", Patron Saints Index, www.catholic-forum.com/saints/saintl2r.htm, retrieved 2007-04-15
Persondata
Name
Narni, Lucia Brocadelli Of
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Date of birth
December 13, 1476
Place of birth
Narni, Umbria, Italy
Date of death
November 15, 1544
Place of death
Saint Catherine of Siena convent in Ferrara, Italy
Retrieved from "en.wikipedia.org/w/index.php"
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: 1476 births
1544 deaths
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Stigmatics
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Christian mystics
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Irapuato
"Voyager" erzählt die geheimnisvolle Ähnlichkeiten zwischen der umbrischen Stadt Narni, dessen alter Name war Narnia, CS Lewis und wie er verwendet es für seine Chroniken von Narnia. Orte, Namen und Symbole zwischen dem Roman und die Geschichte der umbrischen Stadt.
Irapuato
Voyager tells the mysterious similarities between the Umbrian city of Narni, whose ancient name was Narnia, CS Lewis and how he used it for his Chronicles of Narnia. Places, names and symbols between the novel and the history of the Umbrian city.
Irapuato
La città Umbra di Narni e Le Cronache di Narnia. Cosa c'è di vero?
Irapuato
Vida y milagros de Santa Lucía de Narni
La Sabiduría dice: “Volved a mí de todo corazón. Volved al Señor porque él es clemente y compasivo, rico en amor y en fidelidad”.
Nació en Narni en 1476 y murió en Ferrara en 1544.
Desde los 12 años, cuando empezaba a notar los efectos de su preadolescencia, se entregó al Señor con su voto de virginidad.
Su familia quería que se casara. Y así lo hizo …More
Vida y milagros de Santa Lucía de Narni
La Sabiduría dice: “Volved a mí de todo corazón. Volved al Señor porque él es clemente y compasivo, rico en amor y en fidelidad”.

Nació en Narni en 1476 y murió en Ferrara en 1544.
Desde los 12 años, cuando empezaba a notar los efectos de su preadolescencia, se entregó al Señor con su voto de virginidad.

Su familia quería que se casara. Y así lo hizo para no llevarle la contra ni hacerles sufrir.

Pero después de un breve período de vida matrimonial, se separó del marido.

Este se convertiría con el tiempo en hermano franciscano.

En 1494 entró en la tercera orden dominica en Narni. Fue a Roma y después a Viterbo en donde el 24 de febrero de 1496 tuvo ya los estigmas, que el mismo Papa atestiguó y verificó.

Y no solamente él sino también médicos y teólogos.

El duque de Ferrara, una vez que conoció la santidad de Lucía, le pidió que fuera su consejera y le construyó un monasterio, el de santa Catalina de Siena dedicado a la educación de la juventud.

En los últimos años de su vida conoció el desprecio de las jóvenes y la humillación.

Pero – como es propio de los santos y santas – fue rica en amor y en fidelidad aún en los momentos más duros de su existencia.

Todo lo aceptó con la mayor sencillez y humildad el mundo.
www.santopedia.com/santos/santa-lucia-de-narni
Irapuato
Voyager cuenta las similitudes entre la misteriosa ciudad de Umbría de Narni, cuyo antiguo nombre era Narnia, CS Lewis y cómo lo utiliza para sus Crónicas de Narnia. Lugares, nombres y símbolos entre la novela y la historia de la ciudad de Umbría.