New Research: Shroud Of Turin Shows Signs Of Resurrection
The shroud shows death signs like post-mortem bleedings but also – and that is Hontanilla's discovery – signs of movement, and the presence of facial features incompatible with a dead person.
He suggests that the image on the shroud was impressed by a living person. It shows that the body is in the process of getting up and doesn't reflect the stages of the rigor mortis.
Hontanilla excludes a medieval origin of the shroud, as its creator would have needed medical, forensic and image information not known before the 20th century.
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